谢谢最亲爱的老大，尽管不在身边，但心离的最近。
谢谢师父，你是伟大的预言家和计划者。
谢谢大师兄，虽然不用你再带着我下河游泳，但你永远是开路者，看着你就让我觉得有勇气继续游下去。
谢谢小郭郭，看见你，就看见了美丽的人生。
谢谢自始至终的原配孙孙孙，活了二十几年，你终于让我明白什么叫不管做什么选择，都有那么个人会一直站在身边，无条件的支持着陪伴着。
谢谢我对不起的戴妈，请相信你在我心中的地位，虽然连招呼都没打就仓惶的逃跑了，但真心就在这里，向着你，哪也不去。
最后，得谢谢我爹娘，你们为我在前行路上移来一座前所未有的大山，并亲手为我捆上绳索。但我爱你们。

虽然P奖都没拿，P事儿都没做。但跨过失意这道坎，比TNND什么都来的更值得庆祝和感谢。
打今儿起，憋足了劲，意气风发吧

Cases:
continuous city from Builders Association (Liveness and Space) and How long does the subject linger on the edge of volume from the OpenEnded Group (Liveness and Body)

Thress

Many suggest:
TV viewers are perceived as passive couch potatoes
Computer users are by comparison seen as active and overworked
TV viewers often watch hours of programming at a time Computer users are imagined to be multitasking in a highly selective fashion
TV is massifying Computer are individualized
Television is slow Computer are fast

Personally, I do not agree with this suggestion, I believe the role of broadcasting is even more important as the overwhelming mass of information available in general increases the need for trustworthy editorial services.
And I believe, the convergence of television and the Internet provides an great platform for television to develop itself by allowing supplementary media forms like interactive websites, mobile phone services attaching to pre-existing television programmes.

In this essay, I want to focus on the media contexts surrounding “reality show”, programmes like ‘Big brother’ and ‘American Idol’ that has been most affected by the use of new interactive technologies by its viewers.
For Big Brother, the show stared in 2000, for the 2004 series of Big Brother, Channel 4 changed its offerings on the internet to give greater priority to interactive services.

The 2004 version of the website carried content that could only be seen there and had to be paid for by users.
The content included:
1.behind the scenes documentaries and extended footage.
2.The free streaming of coverage that marked the first series of Big Brother was no longer available.
3.with its access to the families and friends of the contestants, the official website was able to present web-chats and brief written reports that could extend the information available to user
4.the programme site also diverts its users to other services offered by Channel4 such as its pages on cars and property.
The 2010 version are free to viewer. Allows voting, users comments and embed with other social network.
Form Mobile
See iTunes
Same of AI
I suppose these two shows indicate the changing social position of television in terms of this cross-media phenomenon. It demonstrates how new directions in television may develop in this network society.

Outline
• The historical technical development of personalised television.
• The television’s shifting meanings in the context of its convergence with the in Internet.
• Explore the question of whether or not new media technology transforms a new form of television? If yes, how?

Questions:
• How can we understand the social nature of a media technology?
• Whether or not a media technology has the power to transform the form of culture, if so, who/what determining the transforming direction of media technologies?

I guess I made my step now, also the time to think about next.
What am I hoping to play next is use color tracking controlling the play and pause button in order to enable dancer could dancing with an red ink pen then paint an picture on the screen. (I guess that is only make sense for myself ==0)

Doesn’t matter, I did my best, I didn’t write this in Chinese … Anyway, I need to find out an effect which could allow me to controlling the play processing of the video or add new images.

Happy new day